On my commute this morning I witnessed an odd vehicular dance.  Allow me to sculpt you a word statue.  I was in the middle lane with a fairly large gap between my Van and the Nissan Sentra in front of me.  Both the left and right lands were mildly crowded, but our middle one was not bad.

Suddenly, without warning, most cars in the left lane decided they wanted to be in the far right lane.  At the same time, most cars in the right lane decided they wanted to be in the far left lane. Are my hammer and chisel getting this image across?  In one fluid motion, the left cars on the left jumped two lanes of traffic, while at the same time, the right cars did the same - all of them weaving through each other.  All of this happened around that lone little Nissan Sentra, which just sat there in the middle lane.

At the end of the event (and it was quite an event) all seemed as it had been, but I couldn't stop thinking about the Sentra just sitting there while the whole road shuffled itself around it.  So I've decided to share my blog today with the driver of that Sentra.  I'm going to let him tell you his story.

Begin Sentra-Guy (light mono-tone)
---------------------------------------------------------------
Morning commute

Average trip for the most part ...  Some weird guy in a big red van stared at me while he passed me.   What's his beef?  Other than that ... the new Sentra's doing pretty well, haven't had any issues with it.  Drives nice.  Oh, my niece left one of her stuffed toys in my back window which bugged me for the entire drive ... it just sat there in my rear-view.  Staring at me.  Like the guy in the van.

Work

Ugh.  Need I say more?  Sharon brought in cupcakes for some reason, but they weren't cupcakes.  She called them cupcakes, but they were full of seeds and grains and crap.  No chocolate, no sugar, no icing, but she called them cupcakes.  Idiot.

I had three.

Phillip's chair broke which provided everyone with something to talk about for fifteen minutes.

Do you ever get the feeling that you are a song?  I heard a song on the radio today ... I think it was by Destroyer ... and I could have sworn that I was that song.  Maybe it was the 'cupcakes'.

Evening commute

There's a spot when you're coming up Highway 8 where it expands from two lanes to 4.  It's always a little slow leading up to that point, and we're finally able to spread out.  I have two thoughts on this spot.  Firstly, when it opens up, I feel like I can finally breathe, as though I've been holding my breath up until then.  Weird.  The second thing is that the new lanes appear on the right side of the road.  Because of this all of the drivers who are itching to go faster dive across to the far right, floor it, and go flying through the now-thinned traffic.  I know I'm not accelerating as quickly as you'd like me to, but it's a waste of gas.  If you would just wait a second I'd move to the right, but because you fast jerks always rip up there first, I can't.

I suppose it shouldn't bother me that much, because I can just keep going, but it's sort of annoying.  People should think a little more.  And people should calm down down.  We're all trying to get home, and we're going to get there soon enough.  Just settle.

Home

Alone.   Again.  Sigh ...


---------------------------------------------------------------
End Sentra-Guy



Good day, and welcome to the third, and final act of The Line. Of course, if you haven't already, head over to Act I and Act II before reading this. With that, I give you ... Act III:


Manfred:   (from offstage) Gary!  Gary!  You must not give up!  Avenge me!  Save the world from the zombies!
Enter Manfred
Gary: Wait, if you’re alive, why did you tell me to avenge you?
Manfred:   You once said to me that the most important thing to you was the human race.  Well it’s in trouble, and we are the only people who can save it.  You also once said to me that you had an erotic dream about Charlie Sheen.  That was wrong on seven levels, but did I tell anyone?  No.  You can trust me Gary.  I know what’s best.  We must eliminate the zombie threat.  We.  Together.
Gary hugs Manfred
Gary: Manfred!  I thought you were gone forever!
Manfred:   No, some guy just took me into a little room and gave me these.  (holds out pirate hook and peg-leg).  I’m not sure what it means.
Gary: I will do all I can to avenge the thousands of deaths the zombies have already caused.  And I do trust you, Manfred.  If I didn’t, would I do this?  (Gary turns with his back to Manfred, extends his arms, and falls backwards, landing hard on the ground)
Enter Celia, looking back to normal, and upon seeing Manfred, runs to give him a hug
Celia: Manfred! You’re back!  You’re okay!
Manfred:   Ya.  I’m fine, Celia.
Enter Shirtless Karl, wearing an all-leather outfit, including butt-less chaps, and a collar + leash.
Karl: Hey guys, I’m back, and I’m ready to prove that I’m not gay.
Gary: You sure look that way to me.
Karl: What?
Gary: That outfit … kind of gay.
Karl: Uh … Well, I guess you’re right.  I mean I am wearing butt-less chaps and all.
Manfred:   Hey Karl, I was …
Karl: Manfred!  You’re back! (hugs Manfred) I missed you so much.
Manfred:   Ya.  But look.  Some guy gave me these.  (holds out peg-leg and hook) can you make any sense of them?
Karl: Well that’s not haaaaaaarrrrrrd at all.  They’re a peg-leg and a hook-hand.  Here, can I try them on?  (installs pirate items)
Line is in front of the group is now completely offstage, and the group of waiters behind our people is furious
Karl: That feels very natural.  I think I may be a pirate!
Manfred:   Really?  A pirate?  How did you get here?
Karl: I sailed, of course … My God!  I am!  Aaaaaaaarrrrr me-matie.  I’m so excited!  (hugs Celia)
While hugging Celia, Karl’s hook-hand stabs Celia, killing her.  Everyone on stage is visibly shocked.  People in the line scream.
Gary: You Bastard! (pulls out gun, and aims it at Karl)  I was saving this for the zombies, but I think I may just use the first one on you.
Manfred:   Gary, calm down.  It was an accident.  Tell him Karl!  Tell him it was an accident!
Gary: Shut up Manfred, I don’t care what this pirate-bastard says.  I’m going to kill him, and that’s final!
Karl: Wait!  At least allow me to die with dignity.  (akarl stabs one of his eyes with his hook, puts on an eye-patch, and takes a large swig from a dirty looking bottle)  There.  I’m ready.
Gary shoots at Karl, but Manfred dives in front to intercept the bullet.  It hits him square in the chest, and he falls to the ground.
Gary: NO!  See what you’ve done Karl? (shoots Karl in the head and bends down to tend to Manfred)
Manfred:   Gary, you must not allow my death, or Celia’s, to be in vein.  Kill the zombies, save the species, and teach the people what we have learned here.  Stupid emo-acting people should stop; pirates can love, and dance; and when you put hot-dogs in disk-drives, bad things happen.  Let my death teach the world that only acceptance will save us.  It is with love, and compassion, that we must look to the future.  Gary, my eternal friend, I am slain.  (dies).
Gary: Manfred.  I will.  I will.  Rest now.
Gary runs offstage.
Gary: (from offstage).  Long live the human race!
Zombie moans are heard, along with several gunshots.  The people left in line look horrified.  They are staring at dead bodies, and seem unable to move or speak.  Then, all of the dead bodies stand up.  Gary and the military man come back, along with several people dressed as zombies.  They join the previously-dead people in a line, and all take a bow.  Manfred then steps forward.
Manfred:   Thank you all for coming here tonight.  We hope that you have enjoyed the third, and final performance of our short play, The Last Stand.  (steps back into the line)
The people look at each other, confused, and unaware of what to say or do.  Then, one begins to smile, as do several others.  Then, nervously at first, begin to clap.  The company bows one more time, to the now-thunderous applause of the “audience”.
Gary: Now let’s get up to that buffet!
The people laugh
Exit all
Curtain

Good day, and welcome to Act II of my incredible play. If you missed it, check out Act I first.

Enter Celia, clutching a black book.  Her hair is now black, as are her nails and lips.  She has numerous piercings on her face, and white makeup.  She is wearing all black, with one of those stupid necklaces that looks like a black belt with silver spikes.
Celia: I wrote a poem for the two of you.  It goes like this:
My eyes are black.
My hair is black.
My shoes are black.
My pants are blakc.
My nails are black.
My blood is black.
My heart is black.
My soul is black.
The world is black,
But I love you guys.
Gary: My God Celia.  That was beautiful.  We love you too.
Enter Shirtless Karl.
Karl: Hey guys.  I’m Shirtless Karl.
Celia: Karl, your shirt is black …
Gary: Did you just cut in line?
Karl: (glaring at Karl) I did.
Celia: … Your sword is black …
Manfred: (looks at Celia and shakes head, then looks back to Karl) but why are you wearing a shirt if your name is Shirtless Karl?
Karl: You Aaaaaaarrrrre right.  (draws sword and cuts off shirt) That’s nice on my Aaaaarrrrms.
Celia: … Your nipples are black …
Gary: Karl, where did you come from?
Karl: Well, John …
Gary: It’s Gary, actually.
Karl: … Oh, sorry.  Gary, I come from the land of Latin American dance.
Manfred: Wow!  I love Latin dance.
Karl: Woah!  Woah! Woah! Latin American dance.  American.  They’re very different.  (Karl puts on a pirate-hat)
Gary: Did you just make up a name for me because you didn’t know mine?  Who would do that?
Celia: … Your hat is black …
Gary: Look, as a doctor, I think I’m an authority on this matter.
Manfred: The matter of Latin American dance?  They teach that in Med-school?
Gary: No, Manfred.  The matter of your herpes.
Celia: … Your herpes are black …
Karl: What?  Manfred?  Herpes?
Manfred: It’s true.  I do have herpes, and it’s extremely depressing.
Karl: … Stephen Harper …
A man in a military uniform marches on stage and grabs Manfred by the collar of his shirt, injects him with a needle, and drags him offstage.  All the while, Celia is cutting her wrists and snorting cocaine, while Karl steals a pet parrot from another line-waiter and perches it on his shoulder.  Gary does a cartwheel before pulling out his cell phone from his pocket.  He dials …
Gary: (into the phone) Hello.  Is Rodrigo there please? (pause) Thank you.  (pause)  Veo queusted trató de Manfred.  Buen trabajo.  Debo ahora consumir la cabeza de un niño, antes de la matanza Karl, que se parece ser pirata.  El pescado nada contra la corriente, mientras que se eleva el águila por encima.  Gracias.  Adiós.
Celia: … Your Spanish is black …
Karl: You know guys, I miss Manfred.  I think he was my soul mate.
Gary: Are you gay?  Karl?  Gay?
Karl: No!  Of course not!  Would a gay man do this?  (runs offstage)
Gary: … Stephen Harper.
Celia: You know, I’m getting really tired of this dyed hair, “free-thinking” persona.  I’ll be back in a minute.  (goes offstage)
The gap in the line is now quite large, and the group behind them is getting extremely frustrated.
Gary: (to the people behind him in line) Is this what my life has come to?  Waiting in line to get to the front and kill evil zombies, to save the fate of the human race?  Only to have my best friend carted off by a soldier?  And a gay pirate, and crazy Celia?  I know this is not my destiny.  I must take my leave of this place, these people, and this mission.

So, I said I would do this a while ago, but here is the first instalment of my fun little play, The Line. Stay tuned for more ...

The Line
Andrew Flemming
The curtain raises, and we are greeted with our characters: Captain Manfred, Celia Karboshin, Dr. Gary Hunsor waiting in a line.  The line is slowly moving accross the stage, and our people are near the end.
Manfred: (loudly, as to be heard by all around him): So Celia, when I was with The President, he told me that I had very nice hair.
Celia: Ya Captain, I’m sure he did.
Manfred: Oh he did.  As sure as Gary is ugly, he did.
Gary: (angrily): What the hell?  Why are you dragging me into this?  What did I ever do to you!?
Line shuffles away from the group
Celia: I’m sad.
Manfred: You slept with my wife!  That’s what you did, you adulterous bastard.
Celia: Hey.  This is getting a little heavy for me.  I think I may go commit suicide.
Manfred: (yelling) Nooooooo!  (dive-tackling her) Celiaaaaaaa!  Ow.  My wrist.  I think I sprained it.
Gary: See what you did Celia?  If you hadn’t been so melodramatic, the good captain would still be able to use his wrist.
Celia: Hey Manny, I’m sorry.  It was an accident.
Manfred: What the hell are you talking about?  You can’t accidentally say you’re going to commit suicide.  That’s not something that you can blame on being an accident.
Celia: (on the verge of tears) I know.  I’m sorry.
Gary: I don’t think you do.  I don’t think you know at all.  You complain, and bitch, and argue, but I don’t think you even have a clue.  You sound like Cary Jones.
Celia: (crying) You guys don’t give me any respect.  I’m going over there to be alone.
Exit Celia
Gary: Man, Manf, what a bitch she is, eh?.  You’d think she could just shut the hell up every once in a while.
Manfred: I know Doc, but maybe we should lay off her a little bit.  I mean, I have genital herpes.  My boys may only have a week to live.
Gary: What the hell kind of segue was that?  First we’re talking about Ceel, and then suddenly you have herpes?
Manfred: You’re right.  That was sudden, but I need you on my side here.  We’ve got a lot of zombies to kill, and not very much time.  If you want to back out, tell me now, because once we get to the front of this line, there’s no turning back.
Gary: Look, Captain, you know I’m with you.  I made a blood-promise with you.  I’ll fight by your side, and I’ll die by your side, but the one thing I won’t do by your side, is run away.
Manfred: Gar, it’s good to know I can always count on you.
So at this point the people are near the middle of the line.  They stop moving, so a gap begins to form between them and the line-people in front of them.


I know you're just trying to do what's best for me.  You care.  I promise I won't try to change the contents of the C-drive ever again. Let's just be friends, eh?.

Fido, our relationship has spanned decades. There's been love, hate, reasonably-priced cell phone service, and ridiculous fees. You and I, Fido, have had quite a run so far. In the end, I chose you a year ago. I asked you, Fido, to be my carrier for the next three years. I wanted an iPhone, and it was between you and Rogers, so there was no question. I've been pleased by this choice on many an occasion in the past year (and annoyed only a few), but last week it became evident that I had made the correct choice. Fido, I love you.

Rogers has decided to follow suits with the other money-sucking wireless carriers and charge 15¢ per incoming text message. They have decided to charge 15¢ for receiving a message that costs them less than a penny to deliver, AND (did you see that, I said AND) someone else has already paid to send the message. How in the hell can they get away with this? This is price-fixing at its finest! Every carrier in Canada charges 15¢ for a text-message. This one, 15¢ message, weighs in at 160 bytes. Experts from the U of W have told US Congress that sending one text message costs 0.3¢. Thats a 5000% markup. With that sort of RIDICULOUS markup, how is it that one carrier doesn't drop the price to 10¢ to attract customers? That would still be a 3333.3% markup (unbelievable). That not one single carrier decides to do this to attract a few customers is absurd! There is no way these prices are not fixed. Absolutely no way.

And now, for Rogers, Bell and Telus to decide to charge another 15¢ to the recipient (who did not consent to receiving the thing) they're basically claiming that they need 30¢ for each text.

That's a 10,000% markup!

They are now charging 10,000 percent more than the bloody service is worth!

10,000%

Hello?!?!? Does anybody care? Where is my government? Steve! Stevey! You love to chat with old folks in front of fireplaces wearing sweater-vests at election time, where are you now? Why don't you care?

If a car is worth $10,000 and it was marked up 10,000%, the car would cost $1,010,000. Is this making sense?

Why doesn't anybody care? How are they getting away with this?

But anyway, Fido, you are not charging 15¢ for incoming text messages. You are being reasonable. You bill my phone calls by the second, and your staff are knowledgeable and helpful. You don't charge me a $7 per month system-access fee, or a 50¢ 911 fee. You're a good friend.

Fido, I'm glad we're together.

Love,
Andrew Flemming



So, yes. I have jumped on the delete Facebook bandwagon. I have officially rid myself of The Facebook.

I haven't touched the thing in months, and I had already disabled all email alerts, so it's as if I had already deleted it. So you ask, @"Then why remove it at all? Why not just leave it there in case there's some need for it?". This is a logical question, so I'll answer it.

My justification until a few days ago has been that it acts as a secondary contact list (which has come in handy on a number of occasions), giving me access to information about people that I don't have in my MobileMe contacts. As I said, this was a good enough justification for me until a few days ago. So, the question becomes, @"What heppened?".

Well, it's simple. Halyna showed me that she could look at all photos containing the two of us. @"Okay ... this is nothing new (to the rest of the world, i suppose) what's wrong with that".

Well, I was shown pictures of myself that I hadn't taken, I hadn't posted, and I hadn't signed off on. I had no idea these pictures even existed. Jimmy-Bob put pictures of me online, and they've been 'tagged' as 'me', so now they can be searched.

Woah!!! I don't like that. I don't like that one bit. I want to control my own online identity. I don't let other people post on my Blog, toot on my Twitter account, or post photos to my Flickr. I want to have control over what people find if they want to know about me. Image is important, and people, you're losing control. When some guy at some party I've gone to has control over my online identity, I cannot be comfortable.

Tiff, Brandon, that is a reason to rid yourselves of The Facebook. Try again with your explanations. As I recall, Tiff's reason was @"I'm just so addicted to it"; and Brandon's reason was @"I just don't even like it ..." LAME.

UPDATE:

I've just noticed that all of my quotations have an '@' in front of them. ie)

@"This is a quotation"

That's hilarious. It's because of strings Objective-C. I'm chuckling.

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